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TRANSCENDENCE

BEHIND THE SCENES

Chautauqua Institution, New York

Behind the Scenes of "Transcendence" Production

Dancers, Lexi Johnston, Sarah Lapointe, James Kopecky, & Joshua James Hall

Stelth Ng, Theodore James, & Luke Saagi

Transcendence: Hold On

Behind the Scenes photographs and footage screenshots of production, "Transcendence: Hold On"

with

The Grigori String Quartet & Charlotte Ballet.

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Filmed: May 2017 (String Quartet)

              July 2017 (Charlotte Ballet)

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Production Release: January 2018

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YouTube Video Link: Transcendence: Hold On (Official 5K HD)

Vimeo Video Link: Transcendence: Hold On

 

Chautauquan Daily Article: 

http://chqdaily.com/2017/08/musician-stelth-ng-collaborates-charlotte-ballet-second-year/

 

Grigori String Quartet

 

Violin I: Stelth Ng

Violin II: M Gillian Carrabré 

Viola: Matt Antal

Cello: Tess Crowther 

 

Charlotte Ballet I Dancers

 

Sarah Lapointe 

Lexi Johnston 

James Kopecky 

Joshua Hall 

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Music

Transcendence: Hold On

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Composer

Laura Sgroi

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Audio Recording & Production

Matt Antal

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Cinematography

Luke Saagi

 

Assistant Camera

Brad Waller

Matt Wilkshire

Theodore James

Hailey Gavin

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Behind The Scenes Footage

Hailey Gavin

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Directed, Produced, and Edited by Stelth Ng 

The Chautauquan Daily Newspaper

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"Musician Stelth Ng Collaborates With Charlotte Ballet for Second Year"

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 By Ryan Lindsay

Published August 4, 2017

The work is set to a movement of string quartet music by Sgroi, a Toronto composer, and Ng said each dancer is meant to “represent their own individual instrument in the string quartet.”

 

Ng called Sgroi’s piece, Transcendence: Hold On,” a movement that is “absolutely beautiful and haunting.”

 

He recorded it in May with a string quartet in Toronto.

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"The two female leads embody “the upper voices,” the first and second violins, while the two male leads represent “the lower voices,” the viola and cello."

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“While anyone who’s listening to the string quartet will hear a duet between the cello and violin,” Ng said, “I want the dance side of it to see the pas de deux happen between the respective female and male dancers.

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